#MICROCOSM JAPANESE BAND TV#

That microcosm of what we call “animation” emerged out of an encounter and interference between current film technology and a history of images that dates back to the cave paintings in Altamira. However, when looking at animation from a diachronic viewpoint, it becomes clear that it is based on a long history. The universe of animation is actually experiencing an expansion that is nothing short of a big bang. In addition, games and interactive web contents that surfaced with the advancement of digital technology are sometimes categorized as animation as well.

#MICROCOSM JAPANESE BAND TV#

Some people think of TV cartoons, others of computer graphics, and again others picture Disney films or “Japanimation”. Information for Japanese Government (MEXT) ScholarshipĬonstructing a New Microcosm of Animationĭifferent people have different ideas when hearing “anime” or “animation”, and these different ideas even change quite rapidly.Outline on Graduate School of Global Arts.Outline on Graduate School of Film and New Media.Akira Ito – Praying For Mother / Earth Part 1Ģ3. Fumio Miyashita – See the Light (abridged)ġ9. Yoshio Suzuki – Meet Me In The Sheep Meadowġ2. Masashi Kitamura + Phonogenix – Variation・IIIġ0. Hideki Matsutake – Nemureru Yoru (Karaoke Version)ħ. It is preceded in the ongoing Japan Archival Series by 2017’s Even A Tree Can Shed Tears: Japanese Folk & Rock 1969-1973 and the recent reissues of Haruomi Hosono’s classic output, made available earlier in 2018 for the first time outside of Japan. Kankyō Ongaku follows Light In The Attic’s celebrated ambient anthologies, the acclaimed I Am The Center (2013) and The Microcosm (2016). Both formats feature a cover photo by photographer Osamu Murai depicting buildings designed by famed architect, Fumihiko Maki. It’s available this month and the LP and CD packages contain extensive liner notes and artist bios, including an essay by compilation co-producer and Japanese music scholar, Doran, who is also a member of Portland-based duo Visible Cloaks. The 3xLP vinyl collection features deluxe Stoughton “tip-on” jackets and slipcase, while the 2xCD release comes housed in a custom 7”x7” hardbound book. “As this music continues to echo in modern times and resonate with a new generation of listeners, I’m very happy to help present a window into its universe,” says compilation producer, Spencer Doran, curator of the set and label head of Empire of Signs (Hiroshi Yoshimura, Music For Nine Postcards).

This genre-defining collection of ambient and sculptural music features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto (Yellow Magic Orchestra) and Joe Hisaishi (Studio Ghibli, Totoro), as well as perhaps lesser-known but equally pioneering artists like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the undisputable giants of the genre such as Brian Eno and Erik Satie. A rage of artists subtly infused the everyday world with their avant-garde musical forms – from in-store music for the Japanese high-end retailer Muji, to the companion music for a Sanyo Air Conditioning Unit. During Japan’s booming export of manufacturing and design products, corporations began to invest in art and music to enhance the user and consumer experience.

Microcosm japanese band